The show takes its name from Marshall McLuhan’s 1951 book, which examines the media landscape (press, radio, movies, ads) through discrete critical entries that could be read in any order.
Kurt Ralske is, ultimately, a high-tech sculptor of time, digitally manipulating given materials to evoke gorgeous visual texture and a stirring sense of dislocation.
Kurt Ralske is, ultimately, a high-tech sculptor of time, digitally manipulating given materials to evoke gorgeous visual texture and a stirring sense of dislocation.
John Carpenter involves projections of natural forms that gently pulse and flicker on their own but respond dynamically to the presence of viewers. -- Leah Ollman, LA Times
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